⚠️ SAFETY: Americana targets the Shoulder joint (specifically glenohumeral joint and rotator cuff). Risk: Rotator cuff tear (supraspinatus, infraspinatus, teres minor). Release immediately upon tap.
The Americana, also known as the keylock or ude garami, is a fundamental shoulder lock that attacks the glenohumeral joint through external rotation and hyperextension. This submission is one of the first joint locks taught to beginners due to its mechanical simplicity and high-percentage nature from dominant positions like mount and side control. The Americana works by isolating the opponent’s arm at a 90-degree angle and applying rotational pressure that forces the shoulder joint beyond its natural range of motion. The technique’s effectiveness stems from leverage advantage rather than strength, making it accessible to practitioners of all sizes when executed with proper mechanics.
Historically, the Americana has been a staple of Brazilian Jiu-Jitsu competition and self-defense applications, particularly effective in gi and no-gi contexts. The submission creates a powerful control position before the finish, allowing the attacker to maintain dominant position even if the submission attempt fails. This dual-purpose nature makes it invaluable for positional advancement and securing finishes. The Americana also serves as an excellent entry point for understanding shoulder mechanics, which translates to more advanced submissions like the Kimura and omoplata.
From a strategic perspective, the Americana exemplifies positional control before submission. Practitioners learn to isolate the arm, control the wrist, and apply measured pressure while maintaining base and preventing escapes. The submission teaches essential concepts of leverage, angle creation, and systematic pressure application that form the foundation for more complex attacking sequences. Understanding the Americana deeply enhances overall submission awareness and defensive recognition.
Category: Joint Lock Type: Shoulder Lock Target Area: Shoulder joint (specifically glenohumeral joint and rotator cuff) Starting Position: Mount Success Rates: Beginner 45%, Intermediate 60%, Advanced 75%
Safety Guide
Injury Risks:
| Injury | Severity | Recovery Time |
|---|---|---|
| Rotator cuff tear (supraspinatus, infraspinatus, teres minor) | High | 3-6 months with physical therapy, possible surgical intervention |
| Shoulder capsule damage and labral tears | High | 4-8 months, often requires surgery |
| AC joint separation or damage | Medium | 6-12 weeks depending on grade |
| Glenohumeral joint dislocation | CRITICAL | 3-6 months, high risk of chronic instability |
| Biceps tendon strain or tear | Medium | 4-8 weeks for strain, 3-4 months for tear |
Application Speed: SLOW and progressive - 3-5 seconds minimum from initial pressure to expected tap. In drilling, apply 10-20% pressure maximum.
Tap Signals:
- Verbal tap (saying ‘tap’ or any verbal signal)
- Physical hand tap on opponent or mat (minimum 2 taps)
- Physical foot tap on mat or opponent
- Any distress vocalization or unusual sound
- Slapping mat with free hand repeatedly
Release Protocol:
- Immediately stop all rotational pressure on the shoulder
- Release the figure-four grip on the wrist
- Carefully lower the arm back to neutral position (do not drop suddenly)
- Release control of the elbow and allow opponent to move freely
- Check with partner verbally to ensure they are okay
- If partner indicates pain, encourage them to keep shoulder mobile and seek medical attention if pain persists
Training Restrictions:
- Never spike, jerk, or apply sudden rotational force
- Never use competition speed or full pressure in training
- Always allow clear access to tap with free hand
- Stop immediately at any sign of discomfort (do not wait for tap in drilling)
- Never practice on partners with existing shoulder injuries without explicit permission and medical clearance
- Avoid repeated submissions on the same shoulder in a single training session
Key Principles
- Isolate the arm at approximately 90 degrees from the body to maximize leverage and minimize opponent’s defensive options
- Control both the wrist and elbow simultaneously using figure-four grip mechanics to prevent escape or rotation
- Maintain heavy chest pressure and base throughout the submission to prevent bridging or rolling escapes
- Apply rotational pressure toward the opponent’s head in a smooth arc rather than forcing straight down
- Keep your own elbows tight to your body to maximize leverage efficiency and prevent the opponent from straightening their arm
- Use incremental pressure increases to feel for resistance and allow partner time to tap safely
- Secure the position completely before applying finishing pressure - control precedes submission
Prerequisites
- Dominant top position established (mount, side control, or knee on belly)
- Opponent’s arm isolated and extended away from their body at approximately 90-degree angle
- Your chest weight distributed over opponent’s upper body to prevent bridging or shrimping escapes
- Opponent’s elbow controlled and pinned to the mat or their own body
- Clear figure-four grip established on opponent’s wrist with your forearm creating the lock
- Your base is stable with knees driven into opponent’s sides (from mount) or hip pressure applied (from side control)
- Opponent’s free hand is monitored or controlled to prevent defensive frames or grips
Execution Steps
- Isolate and extend the target arm: From mount or side control, swim your hand under the opponent’s tricep and establish a deep grip on their wrist. Pull the arm away from their body at approximately 90 degrees, creating space between their elbow and torso. The opponent’s palm should be facing toward their own head. Maintain heavy chest pressure throughout this isolation to prevent them from pulling the arm back to their body or establishing defensive frames. (Timing: 1-2 seconds) [Pressure: Moderate]
- Establish figure-four wrist control: Thread your other hand under their wrist and grab your own wrist, creating a figure-four configuration. Your bottom hand controls their wrist while your top hand reinforces by gripping your own wrist. The opponent’s hand should be trapped between your forearms. Ensure your grip is tight enough to prevent slipping but not so tight that you fatigue quickly. Your forearms should form a ‘C’ shape around their wrist. (Timing: 1 second) [Pressure: Firm]
- Pin the elbow to create the fulcrum: Drive your chest weight down onto their upper arm, pinning their elbow to the mat (from mount) or to their own ribcage/body (from side control). This pinned elbow becomes the fulcrum for the lever arm that creates the shoulder lock. The opponent should feel pressure on their elbow but not pain at this stage. Ensure your own elbows are tucked tight to your sides to maximize mechanical advantage. (Timing: 1 second) [Pressure: Firm]
- Adjust angle and prepare for rotation: Slightly adjust your body position to create the optimal angle for rotation. From mount, this may mean sitting slightly toward the trapped arm side. From side control, ensure your hips are heavy and your chest is covering their shoulder. The opponent’s hand should be positioned near their own head with the forearm perpendicular to the mat. Check that their elbow remains pinned and that you have solid base with your legs. (Timing: 1-2 seconds) [Pressure: Moderate]
- Apply rotational pressure toward their head: Begin rotating their hand in a smooth arc toward the mat near their head, as if painting a rainbow from their waist toward their ear. The rotation should be steady and controlled, not sudden. Keep your elbows tight to your body and use your entire upper body to create the rotation rather than just arm strength. The opponent’s shoulder will begin to experience external rotation and hyperextension. Apply pressure incrementally, pausing to allow your partner to tap. (Timing: 2-3 seconds progressive) [Pressure: Moderate]
- Maintain control and pressure until tap: Continue the controlled rotation while maintaining all other points of control: chest pressure, elbow pin, wrist grip, and base. The opponent should tap when their shoulder reaches the limit of its range of motion. Never crank suddenly or force through resistance. If you feel significant resistance or hear any popping sounds, release immediately. Upon receiving the tap, follow the release protocol carefully to avoid injury during the release phase. (Timing: 1-2 seconds to tap) [Pressure: Firm]
- Controlled release and position maintenance: Upon tap, immediately stop rotational pressure but maintain positional control. Slowly guide their arm back to neutral position before releasing the figure-four grip. Keep your chest heavy to maintain mount or side control. Check verbally with your partner that they are okay. Use this controlled release as an opportunity to reinforce safe training practices and build trust with training partners. (Timing: 2-3 seconds release) [Pressure: Light]
Opponent Defenses
- Keeping arm glued to body with defensive frames (Effectiveness: High) - Your Adjustment: Use progressive pressure and weight distribution to gradually extend the arm. Consider transitioning to other attacks like the armbar or gift wrap to create reactions, then return to the Americana when they extend to defend. Alternatively, attack the far arm to draw their attention away from the near side.
- Grabbing own gi pants, belt, or creating a gable grip to prevent arm isolation (Effectiveness: High) - Your Adjustment: Apply heavy cross-face pressure and shoulder pressure to break their grip strength. Use your body weight rather than trying to muscle the grip break. Consider transitioning to mount to armbar or Ezekiel choke, forcing them to release their defensive grip to address the new threat.
- Bridging explosively to create space or attempt to roll (Effectiveness: Medium) - Your Adjustment: Anticipate the bridge by maintaining wide base and posting with your free hand. As they bridge, ride the movement and step over to technical mount or S Mount, which provides better angle for the Americana while neutralizing their bridging power. Lower your hips and widen your base preventatively.
- Straightening the trapped arm forcefully to prevent the 90-degree angle (Effectiveness: Medium) - Your Adjustment: If they successfully straighten the arm, transition immediately to straight armbar mechanics or switch to a Kimura by reversing your grip. Use their straightening force against them by following the movement and attacking the extended arm. Do not fight strength with strength.
- Using free hand to push your head, create frames, or strip grips (Effectiveness: Low) - Your Adjustment: Control the free hand by trapping it with your knee (from mount), using head position to pin it, or establishing a gift wrap position. If their push creates distance, maintain the Americana grip and follow their movement while keeping pressure constant. Consider transitioning to crucifix position if you can trap both arms.
Test Your Knowledge
Q1: What is the primary anatomical structure being attacked in the Americana submission? A: The Americana primarily attacks the glenohumeral joint (shoulder joint) through external rotation and hyperextension, placing stress on the rotator cuff muscles (particularly supraspinatus, infraspinatus, and teres minor), the shoulder capsule, and associated ligaments. The submission creates rotational force that exceeds the joint’s natural range of motion.
Q2: Why is it CRITICAL to pin the opponent’s elbow before applying rotational pressure in the Americana? A: Pinning the elbow creates the fulcrum for the lever arm mechanism that makes the Americana effective. Without a pinned elbow, the opponent can rotate their entire arm to distribute pressure across the shoulder girdle, eliminating the focused joint lock. The pinned elbow ensures that rotational pressure is concentrated on the glenohumeral joint rather than being dispersed. This is fundamental to the mechanical efficiency of the submission.
Q3: What is the minimum application time for an Americana in training, and what injuries can occur if sudden force is applied? [SAFETY-CRITICAL] A: The minimum application time should be 3-5 seconds of progressive, smooth pressure from initial rotation to expected tap. Sudden or jerking force can cause severe rotator cuff tears, labral tears, shoulder capsule damage, or even glenohumeral dislocation - all of which may require surgical intervention and result in 3-6 months recovery time or permanent shoulder instability. Progressive pressure allows the partner to recognize the submission and tap safely.
Q4: If you hear or feel popping or clicking in the opponent’s shoulder during an Americana, what should you do immediately? [SAFETY-CRITICAL] A: Immediately release ALL pressure on the shoulder, release the figure-four grip, and carefully return the arm to neutral position. Popping or clicking often indicates structural damage is occurring (labral tear, capsule damage, or beginning dislocation). You must stop instantly and check your partner’s condition verbally. Never continue pressure or assume the popping is normal. Partner safety always takes absolute priority over completing the submission.
Q5: What is the correct direction of rotation for the Americana from mount, and why is the angle important? A: From mount, rotate the opponent’s hand in a smooth arc toward the mat near their head, as if ‘painting a rainbow’ from their waist toward their ear. The opponent’s palm should face toward their own head throughout the rotation. This angle creates external rotation of the shoulder joint, which is the weakest direction for the shoulder’s range of motion. If the hand points away from their head, you create internal rotation which is much stronger and ineffective for the submission.
Q6: What are the proper grip mechanics for the figure-four wrist control in the Americana? A: The figure-four grip involves threading one hand under the opponent’s wrist and gripping your own wrist, creating a reinforced lock. Your bottom hand controls their wrist directly on the wrist bones (radius and ulna), not on the hand. Your top hand grips your own wrist to reinforce and prevent slipping. The opponent’s wrist should be trapped between your forearms, creating a secure vice. Your forearms form a ‘C’ shape around their wrist. The grip should be firm enough to prevent slipping but not so tight that you fatigue quickly.
Q7: What are the key differences in Americana execution from mount versus side control positions? A: From mount, the elbow is pinned to the mat and rotation is toward the mat near their head with chest weight distributed over their torso. From side control, the elbow is pinned to their own ribcage or body, and rotation is toward their face. Mount provides better base and allows more direct downward pressure, while side control requires more hip pressure and careful angle management. From mount, your knees drive into their sides for base; from side control, your hips are heavy and chest covers their shoulder. Both require maintaining pressure throughout, but weight distribution and rotation angles differ.
From Which Positions?
Expert Insights
- Danaher System: The Americana is fundamentally a submission built upon the principle of leverage dominating over strength, which makes it one of the most democratizing techniques in grappling - size and strength matter far less than positional control and mechanical understanding. The critical insight that separates effective Americana execution from ineffective attempts lies in understanding that the submission occurs in three distinct phases: isolation of the limb, establishment of the fulcrum through elbow pinning, and controlled rotation through the weakest plane of shoulder motion. Many practitioners fail because they attempt to combine these phases or rush through them, particularly the second phase. The elbow pin is non-negotiable - without it, you have no lever arm and therefore no mechanical advantage regardless of your grip strength. From a safety perspective, the Americana teaches us that shoulder joints are particularly vulnerable to rotational stress because the glenohumeral joint prioritizes mobility over stability. This anatomical reality demands that we apply progressive pressure over several seconds rather than explosive force. The systematic approach to the Americana involves establishing dominant position first, isolating the arm second, securing grips third, and only then considering the finish. This hierarchy ensures that even if the submission fails, you maintain superior position. The Americana also serves as an excellent teaching tool for understanding how submissions create reactions that lead to other submissions - when they defend the Americana by straightening the arm, they create the armbar; when they turn the hand away, they create the Kimura. This interconnectedness is fundamental to developing a systematic submission game.
- Gordon Ryan: In competition, the Americana is one of those submissions that works at the highest levels not because it’s complicated, but because it’s mechanically sound and capitalizes on the universal human tendency to defend by extending the arms. I’ve finished numerous high-level opponents with the Americana from mount because they’re so focused on preventing the armbar or back take that they forget about the ‘basic’ shoulder lock. The key competitive insight is that you need to make the Americana part of a system, not an isolated technique. From mount, I’m constantly threatening armbars, Ezekiel chokes, and back takes, which forces my opponents to post their hands and create frames - that’s when the Americana becomes available. The setup speed in competition is much faster than in training, but the finish itself must still be controlled because if you blow out your opponent’s shoulder in a match, you might win that battle but you’re creating an enemy who will study your game obsessively for revenge. More importantly, you damage the reputation of the sport and your own reputation as a professional. The competition-specific detail that many miss is that the Americana from side control is often higher percentage than from mount at elite levels because most high-level grapplers have excellent mount defense, but side control creates more opportunities to attack the arms due to the pin. I’ve also found that the transition from knee on belly to the Americana catches people completely off guard because they’re worried about the knee on belly itself. In training versus competition, there’s a massive difference - in training, I apply the Americana over 4-5 seconds and often release before the tap just to show I had it. In competition, I apply it over 2-3 seconds and hold until tap, but I never spike it. The goal is to win, not to injure.
- Eddie Bravo: The Americana is such a fundamental submission that people often overlook the creative setups and variations that make it devastating from unconventional positions. At 10th Planet, we emphasize the Americana from the truck position, from lockdown when they try to smash pass, and even from rubber guard variations when we can trap their posting arm. The traditional approach focuses on mount and side control, which is fine, but the Americana’s mechanics work from anywhere you can isolate an arm and create that figure-four lock. What’s interesting from a no-gi perspective is that the Americana actually becomes more reliable because gi grips allow opponents to defend longer by grabbing their own lapel or belt. In no-gi, once you establish that figure-four on bare skin, it’s much harder for them to maintain defensive grips. The innovation mindset asks: where else can we create the Americana mechanics? I’ve taught variations from half guard when they’re smashing and posting their hand, from turtle when you can control their posting arm, and even from standing positions when transitioning to ground control. The safety culture at 10th Planet is something I take extremely seriously because we do a lot of leg locks and shoulder locks. I constantly remind students that these submissions can end careers and friendships if applied recklessly. We have a rule: if you’re not sure about your control, don’t go for the finish. The Americana should make your partner tap from the pressure, not from panic or injury. I’ve seen too many injuries from people treating training like competition. In the gym, the Americana is a control position that happens to have a submission - you’re building mastery of the position, not collecting taps. The creative application comes from understanding that anywhere you can establish control, isolate an arm at 90 degrees, pin the elbow, and create that figure-four, you’ve got Americana mechanics available.